pop diva is poorer without her remixes. Madonna’s dance remixes span Shep Pettibone’s kinetic “Express Yourself” rework to Stuart Price’s revitalizing overhaul of her discography on ’00s tours. Whitney Houston’s club versions brought extra oomph to a joyous NYC Pride performance in 1999. (“If your music’s banging in the clubs, you’re doing okay,” Houston noted.) And the hip-hop and dance remixes of Mariah Carey, pop’s queen of the remix, lower drawbridges between genres and become playgrounds for innovation.
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